50 Most Influential Visual Effects Films of All Time

THE VES 50

1. Star Wars (1977)
2. Blade Runner (1982)
3. 2001: A Space Odyssey (1968)
3. The Matrix (1999)
5. Jurassic Park (1993)
6. Tron (1982)
7. King Kong (1933)
8. Close Encounters of the Third Kind (1977)
9. Alien (1979)
10. The Abyss (1989)
11. The Empire Strikes Back (1980)
12. Metropolis (1927)
13. A Trip to the Moon (1902)
14. Terminator 2: Judgment Day (1991)
15. The Wizard of Oz (1939)
16. Who Framed Roger Rabbit (1988)
17. Raiders of the Lost Ark (1981)
18. Titanic (1997)
19. Lord of the Rings: The Fellowship of the Ring (2001)
20. Jason and the Argonauts (1963)
20. E.T. the Extraterrestrial (1982)

22. Toy Story (1995)
23. Pirates of the Caribbean: Dead Man’s Chest (2006)
24. The Ten Commandments (1956)
25. The War of the Worlds (1953)
25. Forrest Gump (1994)
25. Citizen Kane (1941)
25 The Seventh Voyage of Sinbad (1958)
25. 20,000 Leagues Under the Sea (1954)

30. The Terminator (1984)
31. Aliens (1986)
32. Mary Poppins (1964)
33. Lord of the Rings: The Return of the King (2003)
34. Forbidden Planet (1956)
35. Babe (1995)
36. The Day the Earth Stood Still (1951)
36. Lord of the Rings: The Two Towers (2002)
38. King Kong (2005)
39. Planet of the Apes (1968)
40. Fantastic Voyage (1966)
41. Jaws (1975)
41. Ghostbusters (1984)

43. Sin City (2005)
44. Superman: The Movie (1978)
45. Snow White and the Seven Dwarfs (1937)
46. The Lost World (1925)
46. Return of the Jedi (1983)

48. What Dreams May Come (1998)
49. An American Werewolf in London (1981)
50. Darby Oâ€Gill and the Little People (1958)
50. The Fifth Element (1997)

Digital Domain Getting into Gaming?

I hope to be seeing some badass games from these people soon.

A budget of about $25 million may not be much for director Michael Bay, maker of such mega-budget movies as “Armageddon” and “Pearl Harbor.”

But it’s enough to get him launched on a new passion: creating a video game that matches the quality of a feature film.

Bay’s first-person shooter game is part of a larger strategy to transform Digital Domain Inc., where he is now co-chairman, from one of Hollywood’s elite special-effects houses into a full-blown production studio, capitalizing on the convergence between games and feature films

Read Full Article